About 5th Symphony:
In Beethovan’s opening 5th symphony the opening depicts Whose knocking on the door? It shouldn’t take much more than elementary psychology to figure that Fate would be Beethoven’s arch nemesis. Fate had made him a brilliant composer, and Fate has stripped him of his most precious faculty- his hearing.
“Fate” or not, the commanding opening figure pervades the entire work. The first movement is grim and resolute yet charged with constant conflict and energy as glimmers of hope swirl through a relentless storm. It’s a miracle of construction, with all the ideas firmly grounded in that first four-note phrase – even a lyric second theme rides atop and ultimately devolves into it. The focused intensity is relieved by a flowing set of variations, leisurely but with controlled surges of power. Next comes a resolute march built largely upon the insistent rhythm of the opening motif which descends into a hushed section of coiled tension and then explodes into the finale, an exhilarating shout of C-major triumph. In a masterstroke, Beethoven magnifies the effect by summoning again the tense portion of the third movement march and then repeating the triumphant explosion all over again. The work ends in a breathless coda built upon variants of the opening motif to pound home the permanence of the joyous destination.
While Mozart may have written out masterpieces in final form right off the top of his head, Beethoven struggled over the Fifth for nearly a decade.
Many early ideas and sketches found in his notebooks started out conventionally, with lengthy repetitions and standard harmonic progressions. As a great composer, Beethoven delved deeply into his material to explore and develop its full potential, and as an equally great editor, he constantly simplified and tightened it. In final form, the Fifth is a masterpiece not only of invention but of concision; unlike movies and novels we consider great but in which minor changes would be inconsequential, not a single note of the Fifth could be improved.
Visualizing music through emotive typography design
This piece was selected as my research pieces because of the use of repetition and transformation as well as its compositional process. These technical aspect provide an opportunity where the subject and its transformations are used.
Designing A to Z and giving each typefaces sound frequencies in terms of its height, weight and shape.
Visualization of Beethoven, 5th Symphony